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His father's gravestone was a handsome granite; carved into it in Times New Roman were his father’s name, the dates of his birth and death, and the epitaph that his father had requested: “Dead artists roll over in their graves.” Hopper breathed a sigh of relief, knowing that he could report to his mother and sisters that all the dates and spellings were correct, and that the gravesite had not yet been desecrated by any of his fans.
They strolled leisurely to Birgit’s apartment and talked about their children. Perhaps for the first time today, Hopper relaxed. He admired the lengths to which Charlize went to protect her children from all the ways that parents encourage and feed their children’s paranoia and neuroses. “All parents damage their kids,” she said. “I just want to keep that damage to a minimum.”
Since their sister's passing, neither Ingrid nor Heidi had visited Birgit’s apartment, which they jointly inherited. “Neither Heidi nor I want to own the apartment,” Ingrid explained to Hopper, “and we just can’t bring ourselves to go there.” However, before the sisters allowed a broker to inspect the residence, they asked Hopper to look it over and stay the night while he was in New York. “You want me to find the porn stash and hide it before anyone finds it?” he asked them over a Zoom.
“Do all the other writers live in Elaine’s?” he asked. “No, Hopper, but you will always find the important writers at Elaine’s,” she said. “Elaine understands us in ways that even your father can’t. She understands that writing is the hardest thing in the world.”
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“Yes, it is,” Olympia barked. “That’s why I am glad that Silver called me on it. We had quite a fight about the journals. She called me on what she described as my “avarice and ambition.” She was right. I gotta give the girl props for keeping her agency.”
“If you want to have a relationship with someone, you have to work on it,” Ingrid told Hopper. “Your trouble is that having friends is just not that important to you.”
“You can always tell that you are in a neighborhood filled with high rates of unreported crime by how many private art galleries are located there,” Hopper’s father told him. “There are more art galleries in New York than any other city, and more art galleries on the Upper East Side than any other neighborhood in the world.” Hopper's father called this phenomenon "stained-collar crime."
At Huey’s memorial service, Hopper’s eulogy recalled the words from their conversation about 432 Park Avenue. “The world – and the Indiana State Police -- can try to change the rules of math and claim that 2+2 does not equal four,” Hopper said, “but Huey would be quick to point out that any builder who thinks otherwise will see their creations crash to the ground. Just like that condo in Florida.”